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| Sustainability and Contemporary Art: Hard Realities and the New Materiality International Symposium at CEU Budapest 26 March 2009 |
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Sustainability and capital In principle, it is possible to state that all the events in today world are brought back to a single event. This event I will name in reference to Santiago López Petit as the impossibility of capital to restrain from exploitation and expropriation. This unrestraintment of capital is the accomplishment of co-property between capital and power. It shows its radical form when analyzing ways of exploitation of people that are the result of new capitalist labour division due to new forms of mobility and postcolonial migration. Silent Weapon of Extermination We need to realize that we are being subjugated by capital and all other mechanisms of control not only on the material level, but that we are also forced into epistemological thinking imposed by the system of power. Any form of resistance towards capital, social inequalities or either bad environmental policy, within such an epistemological thinking does not constitute the real point of resistance and is therefore appropriated by that same system of power. Therefore, new strategies must be developed in order to be able to continue to de-link ourselves from capital and the colonial matrix of power. How to Make a Digital Handwatch at Home The Subsistence Level Standard Project 1984 W. 'The International Parallel Union of Telecommunications was founded in 1968 in Hungary under the codename Parallel Course / Study-Track. The goal of the Union is the realisation of the Subsistence Level Standard Project 1984 W. Following its long years of illegality, IPUT opened the first centre in 1975 in Geneva, at the start of the exile of the First Dispatcher. From 1975 to 1979, the preparation of the Five-Year-Plan was in process. Between 1979 and 1984, The Mutant, The Mutant Class and The 24th Canton were realised, and subsequently the practical extension of the Research for Anatomical Immortality came through. The results of the 12-year-long probe of Turba were presented by IPUT in 1996 at the Grotesque Centres in Budapest and in Geneva. In 1991, the Geneva Centre was robbed. Following the 1989 Hungarian State prank, IPUT opened its Near-East-European Homogenous Affiliate in Budapest, and from this office coordinates the post-1984 phases of Myth-Correction.' A Sustainable Aesthetics: Contextual and Ethical Beauty Unlike Kantian aesthetics according to which something is judged as beautiful independently of what one knows and values (which constitutes the paradigmatic sense of beauty in traditional Aesthetics), the judgments of contextual beauty cannot exclude ethical, ecological or environmental concerns. We are not simply “stricken by beauty” but on the contrary: the judgment that something is beautiful diminishes, disappears or is even replaced by repulsion if one’s ecological or moral values are confronted with a “destructive beauty”. Sustainability in the Face of Hard Reality The Environmental Impact of Contemporary Art The international gatherings of the art world are resource intensive, relying on an invisible hinterland that stretches across the globe. Events typically involve a large number of flights, bringing participants and audience large distances for short stays, while exhibitions require the transport of artworks by plane or road, or the production of new works using a wide variety of non-renewable materials. Exhibition spaces have to be lit, heated or cooled, and often substantially modified with temporary walls and other installation structures, the publicity for events typically involves the conspicuous use of glossy paper for disposable handouts, while openings often bring excessive consumption of luxury food and other perishables. This presentation considers how to develop a model for assessing environmental impact that is relevant to the concerns and special qualities of contemporary art.
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Maja and Reuben Fowkes |
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