'Statues of Poets in Communist Hungary,' in Proceedings of the Conference of the Society of Anglo-Polish Art Historians, Leeds, 8th - 10th April 2002 (Warsaw: Institute of Art, 2004).





'Soviet War Memorials in Eastern Europe,' in Figuration/Abstraction: Public Art in Europe 1945-68, edited by Charlotte Benton (Ashgate, 2004).

'The New Man and Woman in Socialist Realist Sculpture.' Limes (Budapest), September 2004.

 

'Iski Kocsis Tibor: Identity.' (with Maja Fowkes) Praesens: central european contemporary art review 2/2004

'Dream Factory Communism' (exhibition review)
Art Margins (February 2004)

'Dream Factory Communism' (exhibition review) Blok: International Journal of Stalinist and Post-Stalinist Culture (Poland) November 2004.

'Branding vs. No Logo: Current Trends in Croatian Art' (with Maja Fowkes) Art Margins (18 July 2004).

Unframed Landscapes (exhibition catalogue) ICA Dunaujvaros, PM Gallery Zagreb, Ecology Pavilion London, 2004.

'Unframed Landscapes: Nature in Contemporary Art' (with Maja Fowkes) greenmuseum.org 2004.

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Galleries chapter, Time Out Guide to Budapest, 2003.

'Public Sculpture and Hungarian Revolution of 1956.' Inferno (March 2003).

'The Role of Monumental Sculpture in the Construction of Socialist Space in Stalinist Hungary,' in Socialist Spaces in Eastern Europe and the Soviet Union 1947-1991, edited by Susan Reid and David Crowley (Berg, 2002).

Human/Nature: An Exhibition of Artists from Croatia, exhibition catalogue (Trafó Gallery, Budapest, 2002) (with Maja Fowkes)

‘‘New Models' in the Trafo Gallery, Budapest, 7.12 2001- 6.1. 2002’ Umelec: Contemporary Art and Culture (Prague) 2002/2 (with Maja Fowkes)

‘Here Tomorrow. Museum of Contemporary Art, Zagreb
4 October - 3 November 2002.’ Frieze (London) issue 72 (with Maja Fowkes)

Should I Stay or Should I Go?’ Radionica (Zagreb) no.1,
Art January 2002 (with Maja Fowkes)

'Budapest Box: The Hidden Scene in the 1990s: 4 July - 29 September, 2002. Ludwig Museum, Budapest.’ Umelec: Contemporary Art and Culture (Prague) 2002/3 (with Maja Fowkes)